Art in Collaboration with Science and Technology in the Long 1960s
Art in Collaboration with Science and Technology in the Long 1960s
"In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects that were at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s --Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (A&T), and the Artist Placement Group (APG) in the U.K.
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"An admirable and expansive book--a key resource for scholars and educators interested in the intertwining histories of the aesthetic and the technological during the second half of the twentieth century."--Michael Maizels, Assistant Professor of Art History, University of Arkansas, and author of Barry Le Va: The Aesthetic Aftermath
"A welcome contribution to the study of collaborative practices in art, science, and technology in the postwar period, this volume brings together a strikingly original collection of case studies that recast our understanding of such practices in new and exciting ways."--James Nisbet, Associate Professor of Art History and Visual Studies, University of California, Irvine
