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Muziek Theater-, film- en televisiewetenschap Biografieën podiumkunsten

 

Boekhandel Douwes Den Haag

Punk Avenue

Inside the New York City Underground, 1972-1982

Marcade, Phil

Punk Avenue

Punk Avenue

Inside the New York City Underground, 1972-1982

Punk Avenue

 

An intimate and funny account of New York City's early punk rock scene, from 1972 to 1982, as told by the lead singer of The Senders. Covers The New York Dolls, The Heartbreakers, Television, Blondie and more.

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Beschrijving Punk Avenue

An intimate and funny account of New York City's early punk rock scene, from 1972 to 1982, as told by the lead singer of The Senders. Covers The New York Dolls, The Heartbreakers, Television, Blondie and more. With an introduction by Debbie Harry and a foreword by Legs McNeil.

ISBN
9781941110492
Pagina's
245
Verschenen
NUR
671
Druk
1
Uitvoering
Paperback / softback
Taal
Engels
Uitgever
Three Rooms Press

A Real Negro Girl

A Real Negro Girl explores the life and career of performing artist, writer, and civil and human rights activist Fredi Washington. Although Washington is largely unknown today, during the early decades of the twentieth century, she was a movie star who was a household name in the black community and well-known in mainstream America and abroad.

Body Impossible

Body Impossible theorizes the concept of virtuosity in contemporary dance and performance through a study of the career of dancer Desmond Richardson. Focusing on Richardson's creative insistence on improvisatory fun and excellence throughout the decades approaching the millennium (shaped by Reaganism, the Culture Wars, the AIDS epidemic, the New Jim Crow, and MTV), this book brings dance into conversation with paradigms of blackness, queerness, masculinity, and class in order to generate a socio-culturally attentive understanding of virtuosity.

Body Impossible

Body Impossible theorizes the concept of virtuosity in contemporary dance and performance through a study of the career of dancer Desmond Richardson. Focusing on Richardson's creative insistence on improvisatory fun and excellence throughout the decades approaching the millennium (shaped by Reaganism, the Culture Wars, the AIDS epidemic, the New Jim Crow, and MTV), this book brings dance into conversation with paradigms of blackness, queerness, masculinity, and class in order to generate a socio-culturally attentive understanding of virtuosity.

Biografieën podiumkunsten

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