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Palgrave Macmillan Memory Studies

Music, Nostalgia and Memory

Historical and Psychological Perspectives

Sandra Garrido & Jane W. Davidson

Music, Nostalgia and Memory

Palgrave Macmillan Memory Studies

Music, Nostalgia and Memory

Historical and Psychological Perspectives

Palgrave Macmillan Memory Studies: Music, Nostalgia and Memory

 

How are our personal soundtracks of life devised? What makes some pieces of music more meaningful to us than others? This book explores the role of memory, both personal and cultural, in imbuing music with the power to move us.

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Beschrijving Palgrave Macmillan Memory Studies: Music, Nostalgia and Memory

The book traces the trajectory of emotional response to music over the past 500 years, illuminating the interaction between personal, historical and contextual variables that influence our hard-wired emotional responses to music, and the key role of memory and nostalgia in the mechanisms of emotional response.

ISBN
9783030025557
Pagina's
282
Verschenen
Serie
Palgrave Macmillan Memory Studies
NUR
660
Druk
1
Uitvoering
Hardback
Taal
Engels
Uitgever
Springer Nature Switzerland AG

Postgraduate Research in Music

Postgraduate Research in Music: A Step-by-Step Guide to Writing a Thesis is an essential text for music students who are undertaking postgraduate research. Unique in its approach and scope, this is a how-to book, a practical guide that sets out, step-by-step, how to write a thesis.

The Cantigas de Santa Maria

Alfonso X (1221-84) ruled over the Crown of Castile from 1252 until his death. Known as "the Wise," he oversaw the production of a wealth of literature, one of the most impressive of which is the collection of songs known as the Cantigas de Santa Maria.

Four Ways of Hearing Video Game Music

Four Ways of Hearing Video Game Music offers a phenomenological approach to music in video games. Drawing on past phenomenological approaches to music as well as studies of music listening in a variety of disciplines such as aesthetics and ecological psychology, author Michiel Kamp explains four main ways of hearing the same piece of music--through background, aesthetic, ludic, and semiotic hearing.

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