This book illuminates a variety of the key themes and positions that are developed in the work of art historian and philosopher Georges Didi-Huberman, one of the most influential image-theorists of our time.

Beginning with a translated exchange on the politics of images between Jacques Rancière and Georges Didi-Huberman, the volume further contains a translation of Didi-Huberman’s essay on Georges Bataille’s writings on art. The articles in this book explore the influence of Theodor Adorno and Aby Warburg on Didi-Huberman’s work, the relationship between ‘image’ and ‘people,’ his insights on witnessing and memory, the theme of phasmids and his reflections on aura, pathos and the imagination.

Taken as a whole, the book will give readers an insight into the rich and expansive work of Didi-Huberman, beyond the books that are currently available in English. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.