The Oxford Handbook of Sound Art surveys the practices, politics, and emerging frameworks of thought that now define the artistic practice of sound art.
"Coping with complexities is an everyday reality for private, public and third sectors that face intricate, overlapping, obscuring and ever-changing challenges. Developments in technology and systems of value creation are driving a new need to understand, facilitate and manage complexity.
"Play and the Artist's Creative Process explores a continuity between childhood play and adult creativity. The volume examines how an understanding of play can shed new light on processes that recur in the work of Philip Guston and Eduardo Paolozzi.
Maria (University of Waikato, New Zealand) Galikowski & Richard (University of Canterbury, New Zealand) Bullen & James (University of Waikato, New Zealand) Beattie
Anne (University of Copenhagen) Ring Petersen & Mirjam (University of Aalborg) Gebauer & Sten Pultz (University of Southern Denmark) Moslund & Moritz (University of Southern Denmark) Schramm
