How did the living world – bodies, time, motion, and natural environment – frame the art of early medieval Britian and Ireland? Using phenomenological and eco-critical methodologies, Heather Pulliam probes intersections between art objects, the living world, and the embodied eye.
Bezorgen: Zodra beschikbaar
How did the living world – bodies, time, motion, and natural environment – frame the art of early medieval Britian and Ireland? Using phenomenological and eco-critical methodologies, Heather Pulliam probes intersections between art objects, the living world, and the embodied eye.
