"Religious practitioners and theatre-goers have much in common. So much, in fact, that we could say that religion is often a theatrical phenomenon, while theatre can be religious experience. By examining the phenomenology of religion, we can in turn develop a better understanding of the phenomenology of theatre.
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This study explores the overlap of religion and theatre, especially in the crucial area of experience and personal identity. Reconsidering ideas from ancient Greece, pre-modern India, modern Europe, and the recent century, it argues that religious adherents and theatre audiences are largely, themselves, the mechanisms of their experiences.
