Photography, Film, and the Colonial Philippines
Photography, Film, and the Colonial Philippines
"Informed by contemporary theories of colonial photography and the history of U.S. imperialism, Dean Worcester's Fantasy Islands--a product of intensive archival research at the University of Michigan and elsewhere--is narrative in its approach, tracing Worcester's emergence both as a colonial administrator and a photographer and analyzing the intersections between his personal desires and his political agenda as they shaped his photography in the Philippines.
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Informed by contemporary theories of colonial photography and the history of US imperialism, Dean Worcester's Fantasy Islands is narrative in its approach, tracing Worcester's emergence both as a colonial administrator and a photographer and analysing the intersections between his personal desires and his political agenda as they shaped his photography in the Philippines.
