This groundbreaking scholarly collection examines Shakespeare's global impact beyond the Anglophone world, bringing together diverse perspectives from sixteen contributors across Asia, Europe, and the Americas.
Leading scholars and playwrights collect, introduce, and contextualize a diverse array of eight previously unpublished contemporary Native American and First Nations plays.
Through its examination of the nexus between the history of emotions and the social and cultural uses of colour in early modern drama, Shakespeare and Emotional Expression adds to our understanding of the expressive and affective possibilities in Shakespearean drama.
