Ashgate Interdisciplinary Studies in Opera
Power and Agency in Post-Wagnerian Performance
Ashgate Interdisciplinary Studies in Opera
Power and Agency in Post-Wagnerian Performance
Through the examination of participatory elements, theories, and practices, this book defines participatory opera, explores ways it challenges traditional roles of “audience,” “performer,” and “author,” and situates Euro-American participatory opera within the context of participatory philosophy, theory, and art of the twentieth century.
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Through the examination of participatory elements, theories, and practices, this book defines participatory opera, explores ways it challenges traditional roles of “audience,” “performer,” and “author,” and situates Euro-American participatory opera within the context of participatory philosophy, theory, and art of the twentieth century.
