Studies of early modern drama in print and performance have often prioritized – or even fetishized – first editions and first performances. Challenging ingrained assumptions about chronology, this collection urges us to refocus critical attention towards the various ways that Renaissance drama was repeated and renewed.
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Studies of early modern drama in print and performance have often prioritized – or even fetishized – first editions and first performances. Challenging ingrained assumptions about chronology, this collection urges us to refocus critical attention towards the various ways that Renaissance drama was repeated and renewed.