The story of skateboarding in the UK during the pivotal era between 1987 and 2002 when the British iteration of the sport developed its own unique identity and subsequently went on to inspire and transform global popular culture.
Performing Paradise offers a groundbreaking reassessment of one of the most influential yet misunderstood theatrical experiments of the twentieth century.
This book is a defence of perspectivism in the age of post-truth. At the crossroads of science, art and philosophy, it unearths a tradition that we must rediscover: the point of view is not only what divides, it is also what is shared.
