This book is a major new publication that expands the philosophical contextualisation of blood, its presence and absence, across the practice of performance art from a phenomenological perspective.
The Handbook of Gestalt-Theoretic Psychology of Art synthesizes contemporary research in the psychology of perception, cognition, language and hearing to reassess the Gestalt approach to studying the arts.
This book brings together a selection of articles that have been published throughout a series of special issues of the journal Critical Arts: South-North Cultural and Media Studies that originally focused on the so-called ‘ethnographic turn’ in contemporary arts.