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Marcus Tullius Cicero was a practicing lawyer, politician, and philosopher in first century BCE Rome. He understood that living in the world requires a form of writing and thinking that acknowledges our embodied experience.
Explores the history of legal theatricality from antiquity to the eighteenth-century. It recovers a long tradition of jurisprudential thought about law as a form of theatre, a tradition that ancient, medieval, early modern, and later theorists transmitted across centuries, continually elaborating and reworking it to suit changing conditions.
This book illuminates the extent to which the thought of modernist authors resonated with the affective legacy of philosophical empiricism. It explores the work of Virginia Woolf alongside the writings of Arnold Bennett, Walter Pater, Henri Bergson, and Leslie Stephen.
