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The Rural Harlem Renaissance shows how African American rural culture shaped the work and reception of well-known Harlem Renaissance artists during the decade when America became a predominantly urban nation.
Fermanis argues that nineteenth-century settler fiction encodes complex and mobile interrelationships between settlers and migrants across the colonial southern hemisphere. By focusing on novels that depict short-term movement, this book demonstrates how such writing disrupts the idea of settlement as a stationary, permanent, or stable condition.
This book examines the narrative function of architecture in Miguel de Cervantes's late novelistic fiction, drawing on philological analysis and methods from art history. It discusses Renaissance architectural theory and classical conceptions of the ways in which space could be linked to cognition, human nature, and notions of divine creation.
