Siarhei Biareishyk
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The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems.
Helga L. Duncan shows how some early modern English writers and dramatists (including Spenser, Marlowe, and Shakespeare) turned to gender as they imagined sacred spaces in the wake of early modern religious reformations, with particular attention to the role that gender roles played in this process.
How does one know a whore is a whore? Upon what terms, standards, interpretive logics, and material practices does such knowledge depend? This book pursues these questions and, in so doing, discovers the extraordinary cultural labor necessary to produce and sustain the fiction of the "whore" as a readily apprehensible category of sexual knowledge.
